PUBLICATIONS

The cultural and social patterns that prevail in the film industry have traditionally identified gender determinants as characteristic of feminine sensibility, trusting the leadership of projects in horror, science fiction, action or thriller, for example, the homes creators; as long as, per part seva, the gifts do not identify the fantastic with a genre to its supply. I face that they have traditionally been ‘rare sights’, the large films of fantastic genre directed by those who have been so successful, especially in the last few years, have gone to a more interesting field in which stand out noms such as Karen Arthur, Mary Harron, Claire Denis, Marina de Van, Jennifer Lynch, Kathryn Bigelow, the Wachowski Germans, Karyn Kusama, Anna Biller, Julia Ducournau and a long etcetera. This study on the female filmmaker in the fantasy genre appears not exempt from a controversy of fons, sorted by the decomposition of media attention, greater cap to the gifts and its link with terror: we must continue exposing the light Public this minority statistics and the unequal treatment of the industry cap the donation to the fantastic, or why start to normalize the work of the filmmakers in this land? Possessing one of the most stimulating aspects at the end of the fantasy genre, it continues to be able to configure per fi its particular narrative, using a different approach or sensibilities, or not, but in some cases in projects signed and led by them.